Prologue

“In the stories he’d read so far Father said that all the Parsi families were poor or middle-class, but that was okay; nor did he mind that the seeds for the stories were picked from the sufferings of their own lives; but there should also have been something positive about Parsis, there was so much to be proud of; the great Tatas and their contribution to the steel industry, or Sir Dinshaw Petit in the textile industry who made Bombay the Manchester of the East, or Dadabhai Naoroji in the freedom movement, where he was the first to use the word swaraj, and the first to be elected to the British Parliament where he carried on his campaign; he should have found some way to bring some of these wonderful facts into his stories, what would people reading these stories think, those who did not know about Parsis – that the whole community was full of cranky, bigoted people; and in reality it was the richest, most advanced and philanthropic community in India, and he did not need to tell his own son that Parsis had a reputation for being generous and family-oriented. And he could have written something also about the historic background, how Parsis came to India from Persia because of Islamic persecution in the seventh century, and were the descendants of Cyrus the Great and the magnificent Persian Empire. He could have made a story of all this, couldn’t he?”

- Rohinton Mistry, “Swimming Lessons and other stories from Firozsha Baag”

Beruj Irani uses a walker to move around his house in Khadki's Juna Bazaar